...The poetic and dream-like quality of letters as constitutive of the world is immediately apparent, but as cultural constructs they would appear to fail Ricceur's test for the authentic symbol insofar as they lack a cosmic dimension. It is here that the old Greek practice of calling both the elements (earth, air, fire and water) and the letters of the alphabet stoicheia becomes important. For Shaykh Ahmad, as well, the letters are elements, so that letter mysticism in this Greco-Arabic tradition is not only cosmological linguistics but also atomistic physics, and a natural, "cosmic" dimension to the alphabet as symbol can therefore also be discerned.
(Juan R. I. Cole, The World as Text: Cosmologies of Shaykh Ahmad al-Ahsa'i, Studia Islamica No. 80 (1994), pp. 145-163 Published By Brill)
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