[…] I am aware that Baha'i authors have problems in getting their materials past official 'reviewing committees' and that the publishers are in the difficult position of trying to promote academic scholarship in face of opposition from powerful fundamentalist elements within the Baha'i ranks; but if this is a sign of the direction in which Baha'i studies may be moving, it does not augur all that well for the future. … for example, … Peggy Caton's article entitled 'Baha'i Influences on Mirza 'Abdu'llah, Qajar Court Musician and Master of the Radif'…. It is an excellent, illuminating, and scholarly piece of writing by a Westerner with a rare knowledge of Persian music, but, for all it tells us about Mirza Abd Allah Farahani and his role as a court musician under Nasir al-Din Shah, or about Persian music in general, or Qajar court life in particular, it is rather forced in its attempt to relate any of this to the fact that the subject of the article was a Baha'i convert. He seems to have done nothing conspicuous within the movement, nor does his conversion appear to have had any clearly discernible effect on his music.
-Denis MacEoin
Source: Bulletin (British Society for Middle Eastern Studies), Vol. 13, No. 1 (1986), pp. 85- 91
Published by: Taylor & Francis, Ltd.
http://www.jstor.org/stable/194982
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